This came about after reflecting on many of the scripts I'd written in the past, trying to find unintentional common themes between them as a way of better understanding my own narrative voice. What I found was that just about everything I'd written was some form of introspective personal drama, with elements of the inner-consciousness of characters manifesting as physical elements of the story in some way. In To Police, we watch the aftermath of a police shooting unfold by exploring the lead character's own memory. In the upcoming Shine, the lead character has a conversation with his own subconscious which has manifested in the form of his father. This idea kept appearing in my work, so the next logical phase was to embrace it and find a way to bring it into my photography as well. "How?" you might ask. Well, with lingerie of course.